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SUMMARY:Ungroomed Renaissance: Josquin's Missa L'ami Baudichon; Songs and Motets
DESCRIPTION:Friday\, April 12 from 5:00 – 6:00 pm – Taplin Auditorium \nConcert: “Ungroomed Renaissance: Josquin’s Missa L’ami Baudichon; Songs and Motets” \nWhat are we supposed to make of a Renaissance mass whose audible engine is a lewd song? Cut Circle explores this question through the astonishingly ungroomed Missa L’ami Baudichon. The mass anchors a wide-ranging program of sacred and secular music by Josquin des Prez (1450–1521).  \nPresented by LUDUS\, a Collaborative Humanities Project. This concert is free and open to all. \nThe concert will be proceeded by a lunch workshop on April 10 (information below). RSVP is required for the workshop. \n\nWednesday\, April 10 from 12 – 1:30pm – 127 East Pyne \nWorkshop: “Ungrooming the Voice: An Interactive Workshop on Premodern Vocal Techniques” \nWestern art music requires “groomed” voices—voices that have been trained through private lessons\, choral ensembles\, or conservatory masterclasses. But are premodern repertories well served by approaches to and attitudes about the voice that emerged no more than 200 years ago? Join the ensemble Cut Circle for an interactive workshop\, geared toward all backgrounds and experience levels—including and especially no musical experience at all–in which participants are invited to decenter received esthetic values by ungrooming their voices. \nA light lunch will be provided. Please RSVP to Jamie Reuland jlgreenb@princeton.edu \n 
URL:https://medievalstudies.princeton.edu/event/ungroomed-renaissance-josquins-missa-lami-baudichon-songs-and-motets/
LOCATION:Taplin Auditorium\, Taplin Auditorium\, 08544
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SUMMARY:Medieval Song and the Sounding of World\, Body\, and Imagination
DESCRIPTION:LUDUS and the Program in Medieval Studies present “Medieval Song and the Sounding of World\, Body\, and Imagination:” a lecture-performance by Sarah Kay and Concordian Dawn.   \n“Almost everything we might wish to know about the sound of medieval music is lost to us\,” warns Daniel Leech-Wilkinson. Through the double medium of discursive speculation and live performance\, Sarah Kay and Concordian Dawn set out in this lecture-performance not to know medieval song – we agree that is not possible – but to relive some of its affective realities\, which we locate not in the objective worlds of time\, place\, or historical circumstance\, but in dynamic interactions between body and world inflected by imagination. The sounds of this song are conjured not just by birds and fountains\, but by celestial beasts and alluring sirens. Some of these sung texts represent the singing subject captivated by beauty\, others struggling between life and death\, others at the limits of a dream world\, or ecstatic with joy. \nLUDUS is a Collaborative Humanities Project from the Humanities Council. \nPlease RSVP here. Reception to follow event.  \nSarah Kay bio: \nCurrently Professor Emerita at New York University and a Life Fellow of Girton College Cambridge\, Sarah Kay has taught French and Medieval Occitan at the universities of Liverpool\, Cambridge\, and Princeton\, as well as at NYU. Her many publications range widely over medieval literature in French\, Occitan\, and Latin\, especially in relation to medieval and modern thought. Her most recent book\, Medieval Song from Aristotle to Opera\, was published by Cornell in 2022 together with a companion website that hosts experimental performances by Christopher Preston Thompson and Concordian Dawn of many of the songs discussed in her book. \nConcordian Dawn bio: \nConcordian Dawn specializes in twelfth- through fourteenth-century vocal repertoire\, drawing on primary source material and focusing on socio-philosophical similarities between texts from centuries ago and the mindset of modern society. In so doing\, Concordian Dawn produces a musical experience accessible to contemporary audiences\, relating the human condition of the past to the familiar experiences of the present. The ensemble’s “mesmerizing” (Early Music America) debut album\, Fortuna Antiqua et Ultra (MSR Classics)\, was released in December of 2021 to critical acclaim\, and in July of 2022\, Cornell University Press published a collaborative book-recording project between the ensemble and medieval studies scholar\, Sarah Kay\, entitled Medieval Song from Aristotle to Opera. Since its inaugural concert in 2012\, Concordian Dawn has performed regularly on the east coast and annually with Gotham Early Music Scene\, NYC. The ensemble has given performances and led workshops and lectures for Princeton University\, New York University\, the University of Pennsylvania\, the San Francisco Conservatory of Music\, the Universities of California-Berkeley and Davis\, Bard College\, The Graduate Center of the City University of New York\, the Santa Cruz Baroque Festival\, and the Medieval Academy of America\, among others. \nDetails of Concordian Dawn: \nConcordian Dawn\, Ensemble for Medieval Music \nAmber Evans\, soprano \nClifton Massey\, countertenor \nDavid Dickey\, recorder and countertenor \nThomas McCargar\, baritone \nNiccolo Seligmann\, vielle \nChristopher Preston Thompson\, artistic director\, tenor and medieval harp \n  \n 
URL:https://medievalstudies.princeton.edu/event/medieval-song-and-the-sounding-of-world-body-and-imagination/
LOCATION:Taplin Auditorium\, Taplin Auditorium\, 08544
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DTSTART;TZID=America/New_York:20170213T190000
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SUMMARY:The Vanity of the World - Poetry\, Song\, and the Dangers of Beauty in Calvinist Geneva
DESCRIPTION:As part of his senior thesis\, Comparative Literature major Joseph Gauvreau ’17 will be collaborating with Gallicantus\, the renowned British early music ensemble directed by Gabriel Crouch\, Senior Lecturer in the Department of Music. In this event\, part lecture and part concert\, they will explore a collection of 16th century Calvinist poems\, the Octonaires sur la Vanité et Inconstance du Monde\, along with their musical settings by the contemporaneous composer Paschal de l’Estocart. Dark\, acidic injunctions against the dangers of worldly beauty are brought to life in a fascinatingly unique but little-known set of songs ranging from the hauntingly strange to the paradoxically alluring.
URL:https://medievalstudies.princeton.edu/event/the-vanity-of-the-world-poetry-song-and-the-dangers-of-beauty-in-calvinist-geneva/
LOCATION:Taplin Auditorium\, Taplin Auditorium\, 08544
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