Medieval Matters: Manuscript Culture and the Five Senses in the Middle Ages

This event is open to the public, however, registration is required.

Medieval Matters: Manuscript Culture and the Five Senses in the Middle Ages, a full day roundtable, brings together senior and junior faculty from leading East and West Coast institutions to present and discuss current research and methodologies in Old French studies. The roundtable will include a response by Ardis Butterfield (Yale), as well as presentations by Eliza Zingesser (Columbia), Mary Channen Caldwell (Penn), Henry Ravenhall (Berkeley), Ariane Bottex-Ferragne (NYU), Fay Slakey (Princeton), and Julien Stout (Princeton).

The title of the roundtable plays on the verb to matter, the medieval French term matiere—used to designate thematic cycles (matiere de Rome, de Bretagne, etc.)—and the modern concept of materiality. The theme foregrounds the physicality of manuscripts, textual fragments, and amulets—objects produced, circulated, and handled in the Middle Ages—while also approaching poetry and literature as forms of “matter” that resist reduction to mere metaphor. The roundtable aims to explore how literary and poetic forms invite multisensory engagement, often simultaneously.

Guiding questions include:

• How does a song, narrative, or idea move in and out of different forms of materiality in medieval French manuscript culture?
• How does this (im)materiality interact with the senses in the production, transmission, and reception of medieval French culture?
• What happens when, within a poem, some senses stand in for others, or when they converge into “multisensory nodes” that create an intermedial space—perhaps echoing an abstract or “vertical” realm?
• How are (im)material or (non-)corporeal beings—or parts of beings—involved in the experience of manuscript culture?

PLEASE RSVP

The event will conclude with this year’s Medieval Studies Faber Lecture presented by Marisa Galvez (Stanford University).

Presented by the Department of French and Italian. Co-sponsored by the Program in Medieval Studies and the Center for Collaborative History.

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Program 

9:00am-9:30am — Welcome and Registration

9:30am-9:40am — Opening remarks (10 minutes max)

10:00am-11:30am — Session 1: Touching, Reading, Grafting
(20 minute presentations followed by 10 minute discussions)

Moderator: Prof. Simone Marchesi (Princeton, French and Italian)

1. Henry Ravenhall (UC Berkeley), Flamenca and the Erotics of Book-Touching
2. Fay Slakey (Princeton, Comparative Literature), “De molt bons maitres avez lu”: The Materiality of Text in Two Tristan Narratives
3. Eliza Zingesser (Columbia), Grafting and the Roman de Saint Fanuel

11:30am-1:00pm — Lunch Break (Lunch will be served on campus)

1:00pm-2:30pm  —  Session 2: Multisensory verticalities 

Moderator: Prof. Daniel Heller-Roazen (Princeton, Comparative Literature)

4. Ariane Bottex-Ferragne (NYU), “Pendu a sa diestre orelle li garira de ce mal”: Body, Gesture, and the Materiality of Old French Prayers
5. Mary Channen Caldwell (Penn), Curses, Songs, Dances: Moralizing through Senseless Voices and Impaired Bodies in a Medieval Story
6. Julien Stout (Princeton, French and Italian), Foreign Chaos: Naming “Formless Matter” in Old French Retellings of the Creation

2:30pm-2:40pm  —  Break

2:40 pm – 3:00 pm — Response

• Ardis Butterfield (Yale)

3:30 pm-5:00 pm —  Keynote Lecture (East Pyne 010)

• Maris Galvez (Stanford)